EUME
2025/ 2026

Loaay Wattad

The Politics of Stories: Realism and Fantasy in Palestinian Children’s Literature

Previous Fellowships: 2024/ 2025, 2023/ 2024

Portrait of Loaay Wattad infront of a book shelf.
Photo: private.

Loaay Wattad is a cultural sociologist specializing in Israeli and Palestinian children’s literature, with a particular focus on politics, war, borders, and childhood. He earned his PhD in Sociology and Comparative Literature from Tel Aviv University, where his dissertation, Minor Literature for Minor Readers, offered a comparative analysis of Palestinian children’s literature.
From 2023 to 2027, he is a EUME Fellow at the Forum Transregionale Studien in Berlin. During 2025–26, he serves as a Minerva Postdoctoral Fellow at the Seminar für Semitistik und Arabistik at Freie Universität Berlin. Beginning in 2027, he will join the Martin Buber Society of Fellows at the Hebrew University of Jerusalem.
He has also held research fellowships at the Palestinian American Research Center (PARC) and the Internationale Jugendbibliothek. Alongside his academic work, he serves as Advisor for the Arabic and Hebrew Children's Literature Collections at the International Youth Library in Munich. In 2025, he published his first Arabic children's book, Salman the Pirate in Search of Shirts, as part of the Maktabat al-Fanoos project. He is currently completing a book-length study of Little Red Riding Hood and its reinterpretations in Palestinian and Israeli culture.

The Politics of Stories: Realism and Fantasy in Palestinian Children’s Literature

My project is dedicated to researching the dynamic field of Palestinian children’s literature within the intricate political and social landscape of settler colonial fragmentation in Palestine. My work explores two distinct literary areas that emerged in response to the shifting territorial boundaries of 1948 and 1967. By closely examining children’s literature since the Second Intifada, I aim to uncover the gap between these fields and explore the strategies utilized by authors and illustrators to depict the experiences of readers authentically. A key aspect of my research revolves around using fantasy elements in Palestinian children’s literature as a powerful tool for navigating the realities of political occupation. Through the lens of controlled fantasy, young protagonists are empowered to overcome the challenges they face. In contrast, literature produced within the 1948 borders takes on a distinct realism characteristic driven by educational didactics. This realism serves both authors’ and publishers’ financial aspirations, often targeting the Israeli education system with educational and non-political narratives. My research delves into the mechanisms authors, illustrators, and publishers employ within this complex context. I explore the delicate balance they navigate between artistic expression and the pursuit of financial stability, often compelled by the constraints of the settler colonial environment. By critically examining self-censorship and resistance, I shed light on the transformative power of Palestinian children’s literature.